In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. On the surface this mic looks very similar, with the same sleek design. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. A Sweetwater Sales Engineer will get back to you shortly. More about the KSM8 here. Essential is part of Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. The KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. This model is renowned and remains a favorite choice of many musicians. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. Confused about setting up your guitar? Happy customers, one piece of gear at a time! In the meantime, I want to focus first on the development of Shures remarkable new microphone. Pro-level mics often dont have on/off switches, because it make it less likely that the singer will accidentally turn off the mic mid performance. Sound Quality. For a vocal dynamic mic, this is expensive. In Europe, call 49-7262-92490. The active and passive diaphragms differ in that the active (top) one has a coil attached.Although the rear diaphragm isnt used as part of the electrical circuit in a fixed-cardioid capsule, it was subsequently discovered that it does play an important role in modifying the capsules proximity effect, which Ill come back to in a moment. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. #3. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Theyre reliable, and lots of them sound great. They are just in completely different leagues. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. At 191 mm (7.5), its slightly longer than the Shure SM58. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". 5/8" to 3/8" (Euro) Threaded Adapter. Consider helping Sound Forums keep the lights on. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. 0:00 Intro What is the output level difference between Shures Beta 87A and SM58? Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. KSM8 - Dualdyne Cardioid Dynamic Vocal Microphone - Shure Unlike with other mics, both patterns of KSM9 work flawlessly. They call it a three-stage grille or simply triple grille. Learn More. 1:12 Shure KSM8 Only It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. KSM8. The KSM8 really is impressive for a dynamic mic. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. Internal shock mount and capsule stabilization mean minimal handling noise. A dynamic microphone revolution that only Shure could stage. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. KSM9 User Guide - Shure For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. Mylar is a registered trademark of E.I. ksm9 hs surprising on no feedback. Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. 965 more sensitive than the KSM, for me uses about 1/3rd less gain. The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. Shure KSM8/B Dualdyne Vocal Microphone - Black - amazon.com This means an even, predictable low-end as the distance from the mic changes. Sound Forums Network, LLC was co-founded by David Karol and Bennett Prescott to provide and preserve a home for audio professionals around the world. nine microphones M Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. Both patterns arestandard and both can be as useful in different situations. Shure Ksm9 ! Warning: Turning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. Shure KSM9 Vs Neumann KMS 105 Comparison | themicmaniac.com Essential was founded with a belief and mission to empower people through design. Free Shipping. As expected from professional equipment, youll get that superior quality and low noise levels. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. I cant hide my enthusiasm about the Shure KSM9 its a great live mic. A premium-range handheld condenser vocal mic with a clear and authentic sound. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. But theres one major difference between these two mics. If your audio interface or mixer doesnt provide phantom power, there is a solution: You can connect your mic to an external 48 volt phantom supply. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. There are no user-serviceable parts inside. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. Traditional microphones confine the performer to a specific distance from the microphone. If you want the best quality XLR cables, try these. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. The Shure KSM9 is a condenser microphone, so it does require phantom power. Consequently, the polar pattern will have a deep rearward null, and we call that a cardioid response. The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. Shure Beta 87c Vs. KSM9 | Sound Forums The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. Turn your old gear into new gear with the Sweetwater Gear Exchange! As does the KSM9, the HS employs a dual-diaphragm, prepolarized, 3/4-inch capsule . As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. XLR are the standard connectors on all professional studio equipment. . From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. At a similar price, therere many comparisons to be made between the 105 and the KSM9. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. Sandusky, MI, United States (26) SHURE KSM9/CG/ In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. . Your email, has been entered to win this giveaway. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. . What's the problem with your 58? In simple terms, the direct result of that frequency-dependent behaviour is an almost complete removal of the mics proximity effect, as well as a better-controlled polar pattern, giving improved off-axis rejection and reduced off-axis coloration, too. But a mic like this isnt perfect for all situations. The Sennheiser also has a slightly larger diaphragm than the Shure. SM86 is Shure's best compromise. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. This website uses cookies to improve your experience. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. Deepak is a List Writer for AnimeCoach with years of writing experience and a love for all things anime. Shure KSM9 Cardioid and Supercardioid Condenser Mic. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. Shure's KSM9 is a stage condenser in a traditional handheld form factor. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. Shure KSM8 vs. KSM9 | What's the Difference? - inSync With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. Switchable cardioid and super-cardioid patterns. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? Follow Marcus Scott on social media But aside from the minimal handling noise, this really is a different experience. Then connect the output of the phantom supply soundcard. BLXShure Quality at an Affordable Price for Basic Setups: $299. This helps maintain richness and definition in the bass, without it becoming overwhelming. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! Shure Tech Portal open_in_new. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. It also helps to counteract the proximity effect. Both mics have very similar specs and a similar size, weight and design. I have heard good things about this capsule. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. DUAL DIAPHRAGM TECH. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. When you purchase through links on our site, we may earn an affiliate commission. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. Given the sensitivities of condenser mics, why would anyone risk using one on stage? After the KSM9 development, I began talking to Shure about an all-new dynamic vocal mic. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. Shure KSM9HS | RecordingHacks.com By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. 210.65.88.143 The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. To prevent dust and moisture ingress, they decided to cover the back of this labyrinth with a second (passive) diaphragm which would still allow sound waves from the rear to pass into the capsules internal labyrinth. You are using an out of date browser. Review: Best Wireless Mics to date For pros & Noobs! Shure QLXD2/KSM9. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. 1:41 Shure KSM9 Only In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. It can also be a bit more forgiving when it comes to microphone technique. Cloudflare Ray ID: 7a2dba687d4fa3ab $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. Brand New. Here we really missed the added proximity oomph, particularly for the guitar. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. Theyll deliver a higher quality sound than dynamic mics. Its a departure from their simply constructed dynamic live mics. Human factors engineering ensures that medical devices and combination products are safe, effective, and easy to use, while also ensuring that the products meet commercial and regulatory imperatives. The lows are being naturally rolled off to avoid that unwanted mud and boominess. The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Spitfire Audio Hans Zimmer Collection. As low as $62/mo. Ultimately they often sound better. Shure Ksm8/N AK8C. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. https://imp.i114863.net/b3emR60:00 - Intro1:12 - Shure KSM8 Only1:41 - Shure KSM9 Only2:11 - Shure KSM8 Only2:33 - Shure KSM9 Only2:46 - Shure KSM8 Only3:06 - Shure KSM9 Only3:26 - What We Heard5:52 - Thanks for Watching! The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. KSM8. So, are there any downsides? Shure KSM9 Multi-Pattern Condenser Microphone. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). 530 706 Des. This provides a clean and transparent sound, while generating a little more heat than other designs. He specializes in literature and creative writing, with a focus on fiction. You may use these HTML tags and attributes: , In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. One of the standout features of this mic is its versatility it can be used for both vocals and instruments. The action you just performed triggered the security solution. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. 27 Wormwood St Available colors: User rating: 71. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. I think its fair to say, condenser mics are generally most at home in the recording studio. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. I think the champagne looks very chic! At 191 mm (7.5"), it's slightly longer than the Shure SM58. They both have their own advantages and disadvantages, so its important to choose the right one for your needs. Are some types more durable than other similar in the live performance category? For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . This pattern is fairly forgiving of mic position and technique, whilst capturing detail. They both come with a built-in shock mount and are able to handle high volume levels. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. Shure KSM8: Upgrade your Dynamic Game - zZounds Music Blog The Neumann KMS 105 is a condenser microphone that has been designed for studio use. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. Are there any favorites on the Sennheiser end of things? All rights reserved. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. Shure KSM9 vs Neumann KMS 105 - Gearspace.com